TRANCE // Danny Boyle wastes nothing in his latest psychological thriller “Trance”. It is electrifying and suspenseful from start to fiery finish. Delving deep into the world of hypnosis and art heisting, the erratic nature of the film allows for building layers of shifting memories into different plots. In doing so, the viewer is submerged in the pulling twists and turns of the fractured narrative, until they are spit out at the thought provoking end. With hidden subtexts and eventual revelations, the audience learns as the characters do, the true sign of an effective thriller.
At the helm is leading man James McAvoy as Simon, a gambling addicted art auctioneer. As soon as we hear his description of art theft history and the protocol in case of a robbery, we know what we’re in for. Rule one when getting robbed: don’t be a hero. But of course, good drama is in the breaking of rules, so when thieves come for Goya’s “Witches In The Air”, Simon uses a taser on our resident head bad guy, Franck (Vincent Cassel), and gets pummeled in the head for his efforts. But his reason for stepping up shifts with the development of the plot.






